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Music and Time

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C. Dahlhaus about the 3rd String Quartet by A. Schoenberg
M. Pylaev

The article deals with the important and significant work by the distinguished composer of 20th century Arnold Schoenberg – the 3rd string quartet. The analysis of this work contained in two analytical essays by well-known German musicologist Carl Dahlhaus discloses some important aspects of compositional technics of this work as well as is representative for musicological views by Dahlhaus himself. By defending Schoenberg from criticism of serialism composers (and by explaining particularly why Schoenberg’s duration system have not became serialistic), Dahlhaus reveals the deep dialectics of music of the quartet. It consists in interaction of the dodecaphony with musical form, thematic material, texture and causes the necessity to take into account all these aspects of music by its analysis. Schoenberg’s work was for Dahlhaus a subject and an incentive for reflection, including about criterions of aesthetic value of music. An approach to Schoenberg’s work in Dahlhaus’s writings indicates the great importance of the romantic aesthetics of music for the German scolar as well as his inclination to treat the dodecaphony in connection with this aesthetics and not only strictly rationally.

Keywords: C. Dahlhaus, A. Schoenberg, dodecaphony, thematic development, «developing variation», romantic aesthetics of music.

Contacts: E-mail:pylaevm@mail.ru

Pp. 67-72.

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