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Music and Time

Annotation
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P. Tchaikovsky’s «The Autumn Song» in M. Pletnev’s. Reading in Aspect of Semantic Cuts of the Text
Yu. Monastyrshyna

In this article the author analyzes «The autumn song» P. Tchaikovsky from the cycle «The Seasons» in M. Pletnev’s interpretation. Being the superpopular composition which has broken all records by number of made records, «The autumn song» shows increased requirements to that musician who undertakes this play. A lot of things at Tchaikovsky are for the performer of his music not only in the most musical text, but also in the field of «implication». By it, apparently, is explained that fact that music of «The Seasons» possesses so high amplitude of interpretation, meaning great variety of readings and being flexibly arranged under identity of the performer. That interpretation of this cycle of M. Pletnev is more valuable to performing culture. And, in particular, «The autumn song» can call its reading of «The Seasons» with confidence sign for performing art. This work takes a special place in performance, in approach to that there is an author’s text and its art interpretation. First of all, the real treatment strikes with the novelty. The pianist as if sets the task to clear «a sound picture», «to restore» grown dull from time and, sometimes, mediocre interpretations, a masterpiece.

Keywords: P.I. Tchaikovsky, «The Seasons», «The autumn song», M. Pletnev, interpretation, performing art, piano.

Contacts: E-mail: monastyrshina2009@yandex.ru

Pp. 29-34.

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