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Music and Time

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F. Liszt «Harmonies Po&#233;tiques et Religieuses»
M. Chershintseva

Article is devoted to a piano cycle of F. Liszt, which is connected with the poetic cycle of A. Lamartin of the same name – «Poetic and religious harmonies». Franz Liszt is ambiguous and, certainly, a many-sided figure in the history of musical culture. Having passed long march, he left to the listeners a set of «riddles», art «rebuses», and to solve them means to hear from the philosophical point of view rather than musical. Undoubtedly, this synthesis of vital, art and philosophical is a reflection of cultural specifics of the European romanticism era which symbolism is freakish, various and, appears as an «archetype» for modern «mobile» cultural space. «Invocation», «Miserere» and «Pater Noster» are peculiar reflections of contrasts coexisting in human soul cycle. There are «the semantic culminations» put in «Poetic and religious harmonies» contradictions: aspiration of the person to the world of sincere excitements, and to contemplation of God, equal emotionally.

Keywords: Franz Lizst, Alphonse de Lamartine, «Harmonies poetiqes et religieuses», piano, romanticism, symbolical.

Contacts: E-mail: mahamah@mail.ru

Pp. 17-22.

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