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Music and Time

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On the Method of Structural Historyand its Application to Musicology (on Basis of Writings by Carl Dahlhaus)
M.E. Pylaev

The article deals with the so-called structural understanding of the history, which is correlative for the event history and has originally established in French historiography. Its largest representative historian Fernand Braudel understood it as characteristic of processes and events of large temporal extent and has offered to use for it the term «structure». Here is shown the actual application of method of structural history by Russian and foreign scientists in music historiography, in particular, its analysis made by the well known Russian historian of music Mikhail S. Druskin. In this article is also disclosed the treatment of structural history by outstanding German musicologist C. Dahlhaus, which used this method in several of his writings («Fundations of music history», «Music of the XIXth century») as an attempt to discover and to interpret the connections and relationships between compositional, aesthetic, psychological, political, social aspects of musical culture in the society.

Keywords: Carl Dahlhaus, F. Braudel, historiography, structural history, historical musicology.

Contacts: E-mail: pylaevm@mail.ru

Pp. 21-26.

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