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Music and Time

Index of articles published in the journals "Music and Time" in 2016.

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Anniversaries
Interviewed by L. Belenov (Wrote M.A. Chershintseva) M.M. Trunov: «Our Job – to Prepare Conductors!»

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A. Sobolev Effect of Mikhail Pletnev. (By the 25th Anniversary of the Russian National Orchestra)

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M. Vysotskaya To the Anniversary of Galina Grigoryeva

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S. Kuznetsova Visiting Sobinov (By the 20th Anniversary of Yaroslavl Memorial House-Museum L. Sobinov)

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A. Romashov The Time of Hopes and Achievements

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P. Shorokhova Talents and Admirers of the Theater «In Basmannaya»

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N. Kilpe Teenage Anniversary

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N.Yu. Grodnitskaya To Eduard Patlayenko’s 80 Anniversary: Historical Subject in Works of the Composer

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T. Esaulova Metropolitan Hilarion: «When the Lord Visits or as They Say, the Muse Comes, Then I Write ...»

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HISTORY
N.P. Mamaeva «Days of the Russian Culture» (From the History of the School Music Education for Children in Emigration)

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O.V. Shestakova From the History of Music Ten Years Term Schools for Gifted children

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T.M. Siverskaya Forgotten Pages: Russian Musical Comedy of A. Novikov «The Left-Hander» by Nikolai Leskov

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R.N. Slonimskaya Music for Folk Instruments by Sergey Slonimsky

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A.K. Abdinurov Features of Formation and Orchestration of Symphonic Kui Composers of Kazakhstan

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M.M. Buloshnikova Gerard Pesson’s «Nebenstuck»: Notebooks of Musical Memory

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I.A. Kolokolnikov Musical Life of Irkutsk in the Period of the Great Patriotic War

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L. Belyakaeva-Kazanskaya From the Romantic to the Absurd Ingredient of Magic in the Ballet «Nutcracker» by P. I. Tchaikovsky. The Origins and Consequences

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S.A. Ozerov About Professionalizing of Music Education of Bayan Players in Nizhny Novgorod

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O.V. Onegina From the History of Russian Source Study: Anastasia S. Lyapunova

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A.Y. Velikovskiy «It is Impossible to Take to the Work in the First Hearing» (A. Schweitzer): the History of Comprehension and Performance of Bach’s Goldberg Variations in 1700s–1900s

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I.M. Manolova, L.D. Belenov At the Roots of School by V. Borisovsky. (Memories about the Future)

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A. Demchenko Sergei Prokofi ev: Return to Bolsheviziyu (1930)

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A.G. Gilev Horn and Composers

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V.P. Matveychuk Serpent, Basshorn and Ophicleide in Russian Military Orchestras

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E.A. Karankevich, T.V. Kraskovskaya Outstanding Military Works by L. Vishkarev: on the Way to the Listener

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L.F. Dunaev Memories of Editing of the Soviet National Anthemand the National Anthem of the Russian Federation

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P.E. Karpov «Three Hundred Years» – Jubilee A.D. Kastal’sky’s Cantata to the 300th Anniversary of the Romanov Dynasty

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I.I. Kozlov, T.D. Barer Historical Background and Conditions of Formation of the Creative Person of Elena Gnessina

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P.A. Vasnin Legacy of V. Ewald (1860–1935) in the Context of Russian Ensemble Music of the Late XIX – Early XX Centuries

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N.Yu. Plotnikova Three-part Concertos by Nikolay Diletsky: Problems of Attribution, Genre and Style

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N. Diletsky Sobbing Bitterly

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N. Diletsky Where, Son Where Ancient Annunciation

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N. Diletsky Last, My Son, Kissing

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S. Vuyoshevich On the Importance of Music in the Poem «The Mountain Wreath» Peter Negosh

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A.A. Skroznikova The Neapolitan Mandolin: the Experiments of the Calace Family

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E.E. Durandina, P.E. Karpov About S. Prokofiev’s Cantata «To the ÕÕ Anniversary of October»

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Y.M. Rogacheva «Night Clouds»: Georgy Sviridov’s Cantata in the Mirror of the Concept of the Russian Symbolism of Alexander Blok

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K.V. Politkovskaya About Creative Identity and Features of National Black Singing in Development of the Jazz

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E.M. Ragimova Some Features of Turkish Orchestras Mehter

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P.A. Belik Symphony Genre in Music Orchestra for the Russian Folk Instruments Orchestra

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N.A. Govar «Experiment Without Continuation»: about Piano Miniatures of the First Russian Avant-garde Composers

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S.V. Tarasov Two Hundred Years Ago. Great Source Chamber and Vocal Works

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M.V. Riznychenko The Masterpiece of the Renaissance Music – T. L. de Victoria’s Offi cium Hebdomadae Sanctae (1585)

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O.S. Sotnikova, N.S. Seregina The 150-year Anniversary of the First Symphony: Multimedia Presentation of Tchaikovsky’s Music

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Theory
V.P. Sereda That «the New Modality» Brought

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E.A. Prikhodovskaya Monologicality as a Key Feature of the Organization of the Synthetic Text in Genre of Monoopera (in the Light of the Concept of M. Bakhtin)

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L.V. Brazhnik About Anhemitonic Melodics Phenomenon in Sviridov’s Compositions

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A.S. Ryzhinskiy Phonetics as a Timbre Determinant in L. Nono, K. Stockhausen, M. Kagel and D. Ligeti's Vocal and Choral Compositions (Boundary of 1950–1960)

More »

write to us
I. Abel Comparison Melodeclamation

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I. Abel Daily Story of Two Musicians

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M. Koloditskaya Old-fashioned Arcadia

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S.A. Yuditskii Love of a Lifetime

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Art-management and Music Production
O.E. Shilova Modern Problems of Vocational Training of Managers of Musical Art in Higher Education Institutions

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Conference
- Music and Computer Technology in the System of Modern Education (MCT In the Future, «Digital Humanities»)

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N. Reneva Brazilian Days Under the Moscow Sun

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N. Reneva Art as a Phenomenon of Culture: Traditions and Perspectives

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S. Kuznetsova Actual problems of development of national music education

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V.O. Petrov «Scientifi c Thought is Limitless...» (IV International Scientifi c Conference «Musical Art and Science in the Modern World: the Theory, Performance, Pedagogy»)

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Competitions
N.A. Travina The Principles of Y. Kasparov`s Methods of Composition on the Example of the Cicle«Symbols of Picasso»

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Y.P. Shnaider Unknown Pages of the History of Formation of Soviet Ballet

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Y.V. Volodina «The Music I Write is Similar to no One»: Puccini’s «Tosca»and the Originalityof His Style

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M. Shinkareva XXVI International Competition of Research Works of Students in the Art of Music – 2016

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A.O. Yudina, A.P. Khmeleva Methods of Working with Inaccurately Intones Children in the Process of Singing

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E.À. Korotaeva Archive Recordings and Research of Udmurt Folk Instrumental Music in 1937–1941

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M.V. Koshcheeva Arnold Schoenberg and Austrian-German cabaret

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A.A. Bulykina The Hymns Dedicated to St. Stefan Milutin, King of Serbia, and Located in Russian Notated Manuscripts

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D.I. Topilin Russian German – Yuri Karlovich Arnold

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D.L. Vitko Franz Liszt’s Concert Organ Works: Style, Genre, Composition

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Z.Z. Mityukova The Educational Practice partimento and its Russian Refl ection

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Music in theatre
G. Nikonova Being Cranky Isn`t All Bad

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E. Faustova Fabulous Holiday in the Theatre «In Basmannaya»

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G. Snotovskaya In the «Helikon-Opera» Happiness Lives

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D. Koltsov Why does the Wolf did not Eat the Chicken?

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N. Kilpe «Golden Chicken», Bringing Happiness

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I. Arkadyev Chicken Tabaka, my Friend!

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N. Savvateeva Elena Kalashnikova: «I Like to Listen to the Silence»

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E.A. Smirnova The Production «Gorodnichiy» by Vladimir Magar in Sevastopol

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PERFORMING ART
I.B. Gorbunova, G.G. Belov New Horizons Music Performing Arts

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A.A. Korchagin With Shostakovich All Over the World. The 110th Anniversary of the Composer and the 50th Anniversary of the Quartet Named After Shostakovich. The Execution Cycle of 15 Quartets of Shostakovich in the Period from 1984 to 2007-th Years

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K.I. Margunova Chamber Vocal art on the Turn of Centuries (XIX–XX): Artistic Principles and Feature Creative Activities of M.A. Olenina-d’Algeym

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L.D. Belenov, V.V. Tokmakov The role of the Lip Flexibilities Exercises in the Formation of the Trumpeters Embouchure

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O.Y. Ivashina Bayan Duo in Russia: Development History

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Yu.A. Monastyrshyna Reading by G. Gould Preludes and Fugues C-dur and c-moll from Volume I of Bach Well-Tempered Clavier in the Aspect of the Problem of the Plaintext

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A. Novoselova Leonora Dmiterko. Interpretation of Beauty

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À. Êîrchagin The Microphone is On, There is a Record... About the Studio Quartet Shostakovich

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V.V. Berezin Moscow School of Wind Instruments in the Context of European Traditions

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M.A. Gotsdiner Luminaries of Russian Music Written for Violin... S.S. Prokofiev. Delicate and Unobtrusive Advice to the Contractor on the Sidelines of the Stave

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Yu.A. Monastyrshyna G. Gould and His Philosophy of Interpretation in the Context of Contemporary Culture

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V.V. Nevalyanaya Some Features of the Performing Style of Billie Holiday

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CONCERTS & FESTIVALS
A. Avdeeva, V. Kelle Pages of chamber music of Boris Tchaikovsky

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M. Vysotskaya Baku – Moscow: Theatrical Premiere at the Meyerhold Center

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A. Zhuravleva Marina Agafonova – Magic soprano

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S. Kuznetsova A Crossroads of Cultures, a Crossroads of the Arts: the Yaroslavl Variant

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A. Lesovichenko The apotheosis of the Baroque in Podmoklovo

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E. Kazachinskaya Organ Summer in Moscow

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E.V. Krivonogova From the Past to the Future: Music of the Renaissance and Modernity in the Program Diaghilev Festival 2016

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E. Krivonogova Offering Young Musicians: Educational Program Diaghilev Festival and Creed Theodore Currentzis

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MUSICAL ARCHAEOLOGY
V.V. Melyushchuk The Singing Tradition H&#200; is During the Ancient Empire (2686–2181 BC.)

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WORKS BY CONTEMPORARY COMPOSERS
S. Kreychi Melody

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S. Kreychi Procession

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I.A. Subbotin «Moonlight» Sonata by Beethoven as a Polystylistic Phenomenon (on the Example of Elena Gohman's Music)

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E. Gokhman Moonlight Sonata

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D. Capyrin Three Caprices

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E. Evtushevskaya The Gardens and Fountains (From the Series «The Italian Notebook»)

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ARTISTIC PORTRAIT
M. Makarova To the Question of Creative Method Arif Mirzoev

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L. Belenov, M. Chershintseva Andrei Podgorny: «Never and nowhere avoid insincerity…»

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M. Golubkov, V. Grachev-Jr. Musical Moments – and Watch Poet, Writer and Artist Dmitry Golubkov (1930–1972)

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TEACHER`S WORKSHOP
L.S. Zorilova, L.D. Belenov Modern Problems of Music Education in Russia

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P.Yu. Deliy, L.D. Belenov Modern state and current development challenges the national education system playing wind instruments

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A.S. Krymskaya To the Issue of Working on Accompaniment with the Students of Vocal Department

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P.Yu. Deliy, L.D. Belenov Two Days in Moscow with Arvid Klisans

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V.P. Sereda What Prevents the Lessons Solfege to Teach Children Music

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N.I. Brazhnikova Some Features of the Sonatas for Winds of Paul Hindemith (Sonatas for Flute with Piano (1936), Bassoon with Piano (1938) and Alto Saxophone and French Horn (1943) with Piano)

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IN MEMORIAM
I.B. Gorbunova, P.A. Kudin Teaching the Principles of Harmony for Students of Artistic Specialties with Application of Computer Technologies

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Y.N. Panteleeva About Pierre Boulez’s Composer Musicology

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N.V. Ivanova To the 95th Anniversary of Boris Sosnovtsev

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B. Sosnovtsev Five Romances

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B. Sosnovtsev Five Romances

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B. Sosnovtsev Five Romances

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B. Sosnovtsev Five Romances

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B. Sosnovtsev Five Romances

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COMPETITIONS
N.A. Travina The Principles of Y. Kasparov`s Methods of Composition on the Example of the Cicle«Symbols of Picasso»

More »

Y.P. Shnaider Unknown Pages of the History of Formation of Soviet Ballet

More »

Y.V. Volodina «The Music I Write is Similar to no One»: Puccini’s «Tosca»and the Originalityof His Style

More »

M. Shinkareva XXVI International Competition of Research Works of Students in the Art of Music – 2016

More »

A.O. Yudina, A.P. Khmeleva Methods of Working with Inaccurately Intones Children in the Process of Singing

More »

E.À. Korotaeva Archive Recordings and Research of Udmurt Folk Instrumental Music in 1937–1941

More »

M.V. Koshcheeva Arnold Schoenberg and Austrian-German cabaret

More »

A.A. Bulykina The Hymns Dedicated to St. Stefan Milutin, King of Serbia, and Located in Russian Notated Manuscripts

More »

D.I. Topilin Russian German – Yuri Karlovich Arnold

More »

D.L. Vitko Franz Liszt’s Concert Organ Works: Style, Genre, Composition

More »

Z.Z. Mityukova The Educational Practice partimento and its Russian Refl ection

More »

CONFERENCE
- Music and Computer Technology in the System of Modern Education (MCT In the Future, «Digital Humanities»)

More »

N. Reneva Brazilian Days Under the Moscow Sun

More »

N. Reneva Art as a Phenomenon of Culture: Traditions and Perspectives

More »

S. Kuznetsova Actual problems of development of national music education

More »

V.O. Petrov «Scientifi c Thought is Limitless...» (IV International Scientifi c Conference «Musical Art and Science in the Modern World: the Theory, Performance, Pedagogy»)

More »

ANNIVERSARIES
Interviewed by L. Belenov (Wrote M.A. Chershintseva) M.M. Trunov: «Our Job – to Prepare Conductors!»

More »

A. Sobolev Effect of Mikhail Pletnev. (By the 25th Anniversary of the Russian National Orchestra)

More »

M. Vysotskaya To the Anniversary of Galina Grigoryeva

More »

S. Kuznetsova Visiting Sobinov (By the 20th Anniversary of Yaroslavl Memorial House-Museum L. Sobinov)

More »

A. Romashov The Time of Hopes and Achievements

More »

P. Shorokhova Talents and Admirers of the Theater «In Basmannaya»

More »

N. Kilpe Teenage Anniversary

More »

N.Yu. Grodnitskaya To Eduard Patlayenko’s 80 Anniversary: Historical Subject in Works of the Composer

More »

T. Esaulova Metropolitan Hilarion: «When the Lord Visits or as They Say, the Muse Comes, Then I Write ...»

More »

WRITE TO US
I. Abel Comparison Melodeclamation

More »

I. Abel Daily Story of Two Musicians

More »

M. Koloditskaya Old-fashioned Arcadia

More »

S.A. Yuditskii Love of a Lifetime

More »

MUSICAL CULTUROLOGY
G.R. Konson The Sonataness as the Development of a Sense of Catastrophism in the Mind of Andrei Kovrin in Anton Pavlovich Chekhov’s «The Black Monk»

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L.S. Zorilova Aesthetic Education of Children Through Literature and Music

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I.G. Alieva Hearing a Professional Musician in the Context of Cognitive Approach

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M.V. Konoshevskaya Ethos «Terrestrial» and «Unearthly» Heroines in Operatic Creation of N.A. Rimsky-Korsakov

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I.B. Gorbunova, G.G. Belov Music and Cybernetics

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K.V. Politkovskaya Creative Identity of the Personality as Object the Historical and Culturological Analysis in Works of the Western European Scientists

More »

MUSIC IN THEATRE
G. Nikonova Being Cranky Isn`t All Bad

More »

E. Faustova Fabulous Holiday in the Theatre «In Basmannaya»

More »

G. Snotovskaya In the «Helikon-Opera» Happiness Lives

More »

D. Koltsov Why does the Wolf did not Eat the Chicken?

More »

N. Kilpe «Golden Chicken», Bringing Happiness

More »

I. Arkadyev Chicken Tabaka, my Friend!

More »

N. Savvateeva Elena Kalashnikova: «I Like to Listen to the Silence»

More »

E.A. Smirnova The Production «Gorodnichiy» by Vladimir Magar in Sevastopol

More »

THEORY
V.P. Sereda That «the New Modality» Brought

More »

E.A. Prikhodovskaya Monologicality as a Key Feature of the Organization of the Synthetic Text in Genre of Monoopera (in the Light of the Concept of M. Bakhtin)

More »

L.V. Brazhnik About Anhemitonic Melodics Phenomenon in Sviridov’s Compositions

More »

A.S. Ryzhinskiy Phonetics as a Timbre Determinant in L. Nono, K. Stockhausen, M. Kagel and D. Ligeti's Vocal and Choral Compositions (Boundary of 1950–1960)

More »

NEW MUSIC
A.A. Gorbenko Conceptual art: search and prospects

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Å.V. Ìàkartseva G.V. Chernov’s Works for Russian Folk Orchestra: Tradition and Innovation

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A.S. Stepanova Musical Code as a Means of Personifi cation of Images of William Blake in the Instrumental Music of Dmitry N. Smirnov

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A.V. Baushev, O.N. Romashkova Grigoriy Zaytsev’s Concert-fantasy for Balalaika and Russian Folk Orchestra: Specialties of Realization of Genre Mixed Structure

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A.S. Stepanova Timbre Personifi cation in Instrumental Dmitry Smirnov Works Created on the Subjects of Paintings of William Blake

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FOLKLORISTICS
A.V. Gucheva, F.V. Gucheva, O.À. Marchenko, L.H. Zhappueva, M.M. Sherieva, Ì.Ê. Midova Rite and Ritual Song-Dance in Honor of the God of Thunder and Lightning Storm – «Shhyblye udzh» in the Context of Mythological Ideas of Funeral Rites of Circassian (Adyghe)

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M.M. Sherieva, I.V. Nesterenko «Sonata for Kabardinian Harmonic» by Dzhabrail Haupa

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V.Y. Suzukei Timbral Quality of Sound and Tuvan Music

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A.V. Gucheva Dancing in the Tradition of Feudal Ñircassian

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I.V. Solovev Researching the Semantics of the Imitation Choreographic Forms in the Ritual Traditions of Kola Saami (Based on the Reconstruction the Bear Fest)

More »

BOOKSHELF
À.Ì. Lesovichenko The Book is About the Meaning of Music. Review of the Monograph of K.V. Zenkin «Music – Eidos – Time. A.F. Losev and the Horizons of Contemporary Science of Music»

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