Anniversaries |
Interviewed by L. Belenov (Wrote M.A. Chershintseva) |
M.M. Trunov: «Our Job – to Prepare Conductors!»
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|
A. Sobolev |
Effect of Mikhail Pletnev. (By the 25th Anniversary of the Russian National Orchestra)
More »
|
M. Vysotskaya |
To the Anniversary of Galina Grigoryeva
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|
S. Kuznetsova |
Visiting Sobinov (By the 20th Anniversary
of Yaroslavl Memorial House-Museum L. Sobinov)
More »
|
A. Romashov |
The Time of Hopes and Achievements
More »
|
P. Shorokhova |
Talents and Admirers of the Theater «In Basmannaya»
More »
|
N. Kilpe |
Teenage Anniversary
More »
|
N.Yu. Grodnitskaya |
To Eduard Patlayenko’s 80 Anniversary: Historical Subject in Works of the Composer
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|
T. Esaulova |
Metropolitan Hilarion: «When the Lord Visits or as They Say, the Muse Comes, Then I Write ...»
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HISTORY |
N.P. Mamaeva |
«Days of the Russian Culture» (From the History of the School Music Education for Children in Emigration)
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O.V. Shestakova |
From the History of Music Ten Years Term Schools for Gifted children
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T.M. Siverskaya |
Forgotten Pages: Russian Musical Comedy of A. Novikov «The Left-Hander» by Nikolai Leskov
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R.N. Slonimskaya |
Music for Folk Instruments by Sergey Slonimsky
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A.K. Abdinurov |
Features of Formation and Orchestration of Symphonic Kui Composers of Kazakhstan
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M.M. Buloshnikova |
Gerard Pesson’s «Nebenstuck»: Notebooks of Musical Memory
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I.A. Kolokolnikov |
Musical Life of Irkutsk in the Period of the Great Patriotic War
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L. Belyakaeva-Kazanskaya |
From the Romantic to the Absurd Ingredient of Magic in the Ballet «Nutcracker» by P. I. Tchaikovsky. The Origins and Consequences
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S.A. Ozerov |
About Professionalizing of Music Education of Bayan Players in Nizhny Novgorod
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O.V. Onegina |
From the History of Russian Source Study: Anastasia S. Lyapunova
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A.Y. Velikovskiy |
«It is Impossible to Take to the Work in the First Hearing» (A. Schweitzer): the History of Comprehension and Performance of Bach’s Goldberg Variations in 1700s–1900s
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I.M. Manolova, L.D. Belenov |
At the Roots of School by V. Borisovsky. (Memories about the Future)
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A. Demchenko |
Sergei Prokofi ev: Return to Bolsheviziyu (1930)
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A.G. Gilev |
Horn and Composers
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V.P. Matveychuk |
Serpent, Basshorn and Ophicleide in Russian Military Orchestras
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E.A. Karankevich, T.V. Kraskovskaya |
Outstanding Military Works by L. Vishkarev: on the Way to the Listener
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L.F. Dunaev |
Memories of Editing of the Soviet National Anthemand the National Anthem of the Russian Federation
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P.E. Karpov |
«Three Hundred Years» – Jubilee A.D. Kastal’sky’s Cantata to the 300th Anniversary of the Romanov Dynasty
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I.I. Kozlov, T.D. Barer |
Historical Background and Conditions of Formation of the Creative Person of Elena Gnessina
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P.A. Vasnin |
Legacy of V. Ewald (1860–1935) in the Context of Russian Ensemble Music of the Late XIX – Early XX Centuries
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N.Yu. Plotnikova |
Three-part Concertos by Nikolay Diletsky: Problems of Attribution, Genre and Style
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N. Diletsky |
Sobbing Bitterly
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N. Diletsky |
Where, Son Where Ancient Annunciation
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N. Diletsky |
Last, My Son, Kissing
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S. Vuyoshevich |
On the Importance of Music in the Poem «The Mountain Wreath» Peter Negosh
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A.A. Skroznikova |
The Neapolitan Mandolin: the Experiments of the Calace Family
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E.E. Durandina, P.E. Karpov |
About S. Prokofiev’s Cantata «To the ÕÕ Anniversary of October»
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Y.M. Rogacheva |
«Night Clouds»: Georgy Sviridov’s Cantata in the Mirror of the Concept of the Russian Symbolism of Alexander Blok
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K.V. Politkovskaya |
About Creative Identity and Features of National Black Singing in Development of the Jazz
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E.M. Ragimova |
Some Features of Turkish Orchestras Mehter
More »
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P.A. Belik |
Symphony Genre in Music Orchestra for the Russian Folk Instruments Orchestra
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N.A. Govar |
«Experiment Without Continuation»: about Piano Miniatures of the First Russian Avant-garde Composers
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S.V. Tarasov |
Two Hundred Years Ago. Great Source Chamber and Vocal Works
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M.V. Riznychenko |
The Masterpiece of the Renaissance Music – T. L. de Victoria’s Offi cium Hebdomadae Sanctae (1585)
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O.S. Sotnikova, N.S. Seregina |
The 150-year Anniversary of the First Symphony: Multimedia Presentation of Tchaikovsky’s Music
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Theory |
V.P. Sereda |
That «the New Modality» Brought
More »
|
E.A. Prikhodovskaya |
Monologicality as a Key Feature of the Organization of the Synthetic Text in Genre of Monoopera (in the Light of the Concept of M. Bakhtin)
More »
|
L.V. Brazhnik |
About Anhemitonic Melodics Phenomenon in Sviridov’s Compositions
More »
|
A.S. Ryzhinskiy |
Phonetics as a Timbre Determinant in L. Nono, K. Stockhausen, M. Kagel and D. Ligeti's Vocal and Choral Compositions (Boundary of 1950–1960)
More »
|
write to us |
I. Abel |
Comparison Melodeclamation
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|
I. Abel |
Daily Story of Two Musicians
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|
M. Koloditskaya |
Old-fashioned Arcadia
More »
|
S.A. Yuditskii |
Love of a Lifetime
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Art-management and Music Production |
O.E. Shilova |
Modern Problems of Vocational Training of Managers of Musical Art in Higher Education Institutions
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|
Conference |
- |
Music and Computer Technology in the System of Modern Education (MCT In the Future, «Digital Humanities»)
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|
N. Reneva |
Brazilian Days Under the Moscow Sun
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|
N. Reneva |
Art as a Phenomenon of Culture: Traditions and Perspectives
More »
|
S. Kuznetsova |
Actual problems of development of national music education
More »
|
V.O. Petrov |
«Scientifi c Thought is Limitless...» (IV International Scientifi c Conference «Musical Art and Science in the Modern World: the Theory, Performance, Pedagogy»)
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Competitions |
N.A. Travina |
The Principles of Y. Kasparov`s Methods of Composition on the Example of the Cicle«Symbols of Picasso»
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|
Y.P. Shnaider |
Unknown Pages of the History of Formation of Soviet Ballet
More »
|
Y.V. Volodina |
«The Music I Write is Similar to no One»: Puccini’s «Tosca»and the Originalityof His Style
More »
|
M. Shinkareva |
XXVI International Competition of Research Works of Students in the Art of Music – 2016
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|
A.O. Yudina, A.P. Khmeleva |
Methods of Working with Inaccurately Intones Children in the Process of Singing
More »
|
E.À. Korotaeva |
Archive Recordings and Research of Udmurt Folk Instrumental Music in 1937–1941
More »
|
M.V. Koshcheeva |
Arnold Schoenberg and Austrian-German cabaret
More »
|
A.A. Bulykina |
The Hymns Dedicated to St. Stefan Milutin, King of Serbia, and Located in Russian Notated Manuscripts
More »
|
D.I. Topilin |
Russian German – Yuri Karlovich Arnold
More »
|
D.L. Vitko |
Franz Liszt’s Concert Organ Works: Style, Genre, Composition
More »
|
Z.Z. Mityukova |
The Educational Practice partimento and its Russian Refl ection
More »
|
Music in theatre |
G. Nikonova |
Being Cranky Isn`t All Bad
More »
|
E. Faustova |
Fabulous Holiday in the Theatre «In Basmannaya»
More »
|
G. Snotovskaya |
In the «Helikon-Opera» Happiness Lives
More »
|
D. Koltsov |
Why does the Wolf did not Eat the Chicken?
More »
|
N. Kilpe |
«Golden Chicken», Bringing Happiness
More »
|
I. Arkadyev |
Chicken Tabaka, my Friend!
More »
|
N. Savvateeva |
Elena Kalashnikova: «I Like to Listen to the Silence»
More »
|
E.A. Smirnova |
The Production «Gorodnichiy» by Vladimir Magar in Sevastopol
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|
PERFORMING ART |
I.B. Gorbunova, G.G. Belov |
New Horizons Music Performing Arts
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|
A.A. Korchagin |
With Shostakovich All Over the World. The 110th Anniversary of the Composer and the 50th Anniversary of the Quartet Named After Shostakovich. The Execution Cycle of 15 Quartets of Shostakovich in the Period from 1984 to 2007-th Years
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|
K.I. Margunova |
Chamber Vocal art on the Turn of Centuries (XIX–XX): Artistic Principles and Feature Creative Activities of M.A. Olenina-d’Algeym
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|
L.D. Belenov, V.V. Tokmakov |
The role of the Lip Flexibilities Exercises in the Formation of the Trumpeters Embouchure
More »
|
O.Y. Ivashina |
Bayan Duo in Russia: Development History
More »
|
Yu.A. Monastyrshyna |
Reading by G. Gould Preludes and Fugues C-dur and c-moll from Volume I of Bach Well-Tempered Clavier in the Aspect of the Problem of the Plaintext
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|
A. Novoselova |
Leonora Dmiterko. Interpretation of Beauty
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|
À. Êîrchagin |
The Microphone is On, There is a Record... About the Studio Quartet Shostakovich
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V.V. Berezin |
Moscow School of Wind Instruments in the Context of European Traditions
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|
M.A. Gotsdiner |
Luminaries of Russian Music Written for Violin... S.S. Prokofiev. Delicate and Unobtrusive Advice to the Contractor on the Sidelines of the Stave
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Yu.A. Monastyrshyna |
G. Gould and His Philosophy of Interpretation in the Context of Contemporary Culture
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|
V.V. Nevalyanaya |
Some Features of the Performing Style of Billie Holiday
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CONCERTS & FESTIVALS |
A. Avdeeva, V. Kelle |
Pages of chamber music of Boris Tchaikovsky
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M. Vysotskaya |
Baku – Moscow: Theatrical Premiere at the Meyerhold Center
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|
A. Zhuravleva |
Marina Agafonova – Magic soprano
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|
S. Kuznetsova |
A Crossroads of Cultures, a Crossroads of the Arts: the Yaroslavl Variant
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A. Lesovichenko |
The apotheosis of the Baroque in Podmoklovo
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|
E. Kazachinskaya |
Organ Summer in Moscow
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|
E.V. Krivonogova |
From the Past to the Future: Music of the Renaissance and Modernity in the Program Diaghilev Festival 2016
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|
E. Krivonogova |
Offering Young Musicians: Educational Program Diaghilev Festival and Creed Theodore Currentzis
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MUSICAL ARCHAEOLOGY |
V.V. Melyushchuk |
The Singing Tradition HÈ is During the Ancient Empire (2686–2181 BC.)
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|
WORKS BY CONTEMPORARY COMPOSERS |
S. Kreychi |
Melody
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|
S. Kreychi |
Procession
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|
I.A. Subbotin |
«Moonlight» Sonata by Beethoven as a Polystylistic Phenomenon (on the Example of Elena Gohman's Music)
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|
E. Gokhman |
Moonlight Sonata
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|
D. Capyrin |
Three Caprices
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|
E. Evtushevskaya |
The Gardens and Fountains (From the Series «The Italian Notebook»)
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ARTISTIC PORTRAIT |
M. Makarova |
To the Question of Creative Method Arif Mirzoev
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L. Belenov, M. Chershintseva |
Andrei Podgorny: «Never and nowhere avoid insincerity…»
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|
M. Golubkov, V. Grachev-Jr. |
Musical Moments – and Watch Poet, Writer and Artist Dmitry Golubkov (1930–1972)
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TEACHER`S WORKSHOP |
L.S. Zorilova, L.D. Belenov |
Modern Problems of Music Education in Russia
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|
P.Yu. Deliy, L.D. Belenov |
Modern state and current development challenges the national education system playing wind instruments
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|
A.S. Krymskaya |
To the Issue of Working on Accompaniment with the Students of Vocal Department
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|
P.Yu. Deliy, L.D. Belenov |
Two Days in Moscow with Arvid Klisans
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|
V.P. Sereda |
What Prevents the Lessons Solfege to Teach Children Music
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|
N.I. Brazhnikova |
Some Features of the Sonatas for Winds of Paul Hindemith (Sonatas for Flute with Piano (1936), Bassoon with Piano (1938) and Alto Saxophone and French Horn (1943) with Piano)
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|
IN MEMORIAM |
I.B. Gorbunova, P.A. Kudin |
Teaching the Principles of Harmony for Students of Artistic Specialties with Application of Computer Technologies
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|
Y.N. Panteleeva |
About Pierre Boulez’s Composer Musicology
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|
N.V. Ivanova |
To the 95th Anniversary of Boris Sosnovtsev
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|
B. Sosnovtsev |
Five Romances
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|
B. Sosnovtsev |
Five Romances
More »
|
B. Sosnovtsev |
Five Romances
More »
|
B. Sosnovtsev |
Five Romances
More »
|
B. Sosnovtsev |
Five Romances
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|
COMPETITIONS |
N.A. Travina |
The Principles of Y. Kasparov`s Methods of Composition on the Example of the Cicle«Symbols of Picasso»
More »
|
Y.P. Shnaider |
Unknown Pages of the History of Formation of Soviet Ballet
More »
|
Y.V. Volodina |
«The Music I Write is Similar to no One»: Puccini’s «Tosca»and the Originalityof His Style
More »
|
M. Shinkareva |
XXVI International Competition of Research Works of Students in the Art of Music – 2016
More »
|
A.O. Yudina, A.P. Khmeleva |
Methods of Working with Inaccurately Intones Children in the Process of Singing
More »
|
E.À. Korotaeva |
Archive Recordings and Research of Udmurt Folk Instrumental Music in 1937–1941
More »
|
M.V. Koshcheeva |
Arnold Schoenberg and Austrian-German cabaret
More »
|
A.A. Bulykina |
The Hymns Dedicated to St. Stefan Milutin, King of Serbia, and Located in Russian Notated Manuscripts
More »
|
D.I. Topilin |
Russian German – Yuri Karlovich Arnold
More »
|
D.L. Vitko |
Franz Liszt’s Concert Organ Works: Style, Genre, Composition
More »
|
Z.Z. Mityukova |
The Educational Practice partimento and its Russian Refl ection
More »
|
CONFERENCE |
- |
Music and Computer Technology in the System of Modern Education (MCT In the Future, «Digital Humanities»)
More »
|
N. Reneva |
Brazilian Days Under the Moscow Sun
More »
|
N. Reneva |
Art as a Phenomenon of Culture: Traditions and Perspectives
More »
|
S. Kuznetsova |
Actual problems of development of national music education
More »
|
V.O. Petrov |
«Scientifi c Thought is Limitless...» (IV International Scientifi c Conference «Musical Art and Science in the Modern World: the Theory, Performance, Pedagogy»)
More »
|
ANNIVERSARIES |
Interviewed by L. Belenov (Wrote M.A. Chershintseva) |
M.M. Trunov: «Our Job – to Prepare Conductors!»
More »
|
A. Sobolev |
Effect of Mikhail Pletnev. (By the 25th Anniversary of the Russian National Orchestra)
More »
|
M. Vysotskaya |
To the Anniversary of Galina Grigoryeva
More »
|
S. Kuznetsova |
Visiting Sobinov (By the 20th Anniversary
of Yaroslavl Memorial House-Museum L. Sobinov)
More »
|
A. Romashov |
The Time of Hopes and Achievements
More »
|
P. Shorokhova |
Talents and Admirers of the Theater «In Basmannaya»
More »
|
N. Kilpe |
Teenage Anniversary
More »
|
N.Yu. Grodnitskaya |
To Eduard Patlayenko’s 80 Anniversary: Historical Subject in Works of the Composer
More »
|
T. Esaulova |
Metropolitan Hilarion: «When the Lord Visits or as They Say, the Muse Comes, Then I Write ...»
More »
|
WRITE TO US |
I. Abel |
Comparison Melodeclamation
More »
|
I. Abel |
Daily Story of Two Musicians
More »
|
M. Koloditskaya |
Old-fashioned Arcadia
More »
|
S.A. Yuditskii |
Love of a Lifetime
More »
|
MUSICAL CULTUROLOGY |
G.R. Konson |
The Sonataness as the Development of a Sense of Catastrophism in the Mind of Andrei Kovrin in Anton Pavlovich Chekhov’s «The Black Monk»
More »
|
L.S. Zorilova |
Aesthetic Education of Children Through Literature and Music
More »
|
I.G. Alieva |
Hearing a Professional Musician in the Context of Cognitive Approach
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|
M.V. Konoshevskaya |
Ethos «Terrestrial» and «Unearthly» Heroines in Operatic Creation of N.A. Rimsky-Korsakov
More »
|
I.B. Gorbunova, G.G. Belov |
Music and Cybernetics
More »
|
K.V. Politkovskaya |
Creative Identity of the Personality as Object the Historical and Culturological Analysis in Works of the Western European Scientists
More »
|
MUSIC IN THEATRE |
G. Nikonova |
Being Cranky Isn`t All Bad
More »
|
E. Faustova |
Fabulous Holiday in the Theatre «In Basmannaya»
More »
|
G. Snotovskaya |
In the «Helikon-Opera» Happiness Lives
More »
|
D. Koltsov |
Why does the Wolf did not Eat the Chicken?
More »
|
N. Kilpe |
«Golden Chicken», Bringing Happiness
More »
|
I. Arkadyev |
Chicken Tabaka, my Friend!
More »
|
N. Savvateeva |
Elena Kalashnikova: «I Like to Listen to the Silence»
More »
|
E.A. Smirnova |
The Production «Gorodnichiy» by Vladimir Magar in Sevastopol
More »
|
THEORY |
V.P. Sereda |
That «the New Modality» Brought
More »
|
E.A. Prikhodovskaya |
Monologicality as a Key Feature of the Organization of the Synthetic Text in Genre of Monoopera (in the Light of the Concept of M. Bakhtin)
More »
|
L.V. Brazhnik |
About Anhemitonic Melodics Phenomenon in Sviridov’s Compositions
More »
|
A.S. Ryzhinskiy |
Phonetics as a Timbre Determinant in L. Nono, K. Stockhausen, M. Kagel and D. Ligeti's Vocal and Choral Compositions (Boundary of 1950–1960)
More »
|
NEW MUSIC |
A.A. Gorbenko |
Conceptual art: search and prospects
More »
|
Å.V. Ìàkartseva |
G.V. Chernov’s Works for Russian Folk Orchestra: Tradition and Innovation
More »
|
A.S. Stepanova |
Musical Code as a Means of Personifi cation of Images of William Blake in the Instrumental Music of Dmitry N. Smirnov
More »
|
A.V. Baushev, O.N. Romashkova |
Grigoriy Zaytsev’s Concert-fantasy for Balalaika and Russian Folk Orchestra: Specialties of Realization of Genre Mixed Structure
More »
|
A.S. Stepanova |
Timbre Personifi cation in Instrumental Dmitry Smirnov Works Created on the Subjects of Paintings of William Blake
More »
|
FOLKLORISTICS |
A.V. Gucheva, F.V. Gucheva, O.À. Marchenko, L.H. Zhappueva, M.M. Sherieva, Ì.Ê. Midova |
Rite and Ritual Song-Dance in Honor of the God of Thunder and Lightning Storm – «Shhyblye udzh» in the Context of Mythological Ideas of Funeral Rites of Circassian (Adyghe)
More »
|
M.M. Sherieva, I.V. Nesterenko |
«Sonata for Kabardinian Harmonic» by Dzhabrail Haupa
More »
|
V.Y. Suzukei |
Timbral Quality of Sound and Tuvan Music
More »
|
A.V. Gucheva |
Dancing in the Tradition of Feudal Ñircassian
More »
|
I.V. Solovev |
Researching the Semantics of the Imitation Choreographic Forms in the Ritual Traditions of Kola Saami (Based on the Reconstruction the Bear Fest)
More »
|
BOOKSHELF |
À.Ì. Lesovichenko |
The Book is About the Meaning of Music. Review of the Monograph of K.V. Zenkin «Music – Eidos – Time. A.F. Losev and the Horizons of Contemporary Science of Music»
More »
|