| HISTORY |
| P.A. Vasnin |
Legacy of V. Ewald (1860–1935) in the Context of Russian Ensemble Music of the Late XIX – Early XX Centuries
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| N.Yu. Plotnikova |
Three-part Concertos by Nikolay Diletsky: Problems of Attribution, Genre and Style
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| N. Diletsky |
Sobbing Bitterly
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| N. Diletsky |
Where, Son Where Ancient Annunciation
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| N. Diletsky |
Last, My Son, Kissing
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| PERFORMING ART |
| А. Коrchagin |
The Microphone is On, There is a Record... About the Studio Quartet Shostakovich
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| FOLKLORISTICS |
| M.M. Sherieva, I.V. Nesterenko |
«Sonata for Kabardinian Harmonic» by Dzhabrail Haupa
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| ARTISTIC PORTRAIT |
| L. Belenov, M. Chershintseva |
Andrei Podgorny: «Never and nowhere avoid insincerity…»
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| NEW MUSIC |
| A.V. Baushev, O.N. Romashkova |
Grigoriy Zaytsev’s Concert-fantasy for Balalaika and Russian Folk Orchestra: Specialties of Realization of Genre Mixed Structure
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| BOOKSHELF |
| А.М. Lesovichenko |
The Book is About the Meaning of Music. Review of the Monograph of K.V. Zenkin «Music – Eidos – Time. A.F. Losev and the Horizons of Contemporary Science of Music»
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| IN MEMORIAM |
| Y.N. Panteleeva |
About Pierre Boulez’s Composer Musicology
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