| THEORY |
| L.I. Sundukova |
The Image of the Virgin Mary in the Liturgical Music of the Renaissance
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| PERFORMING ART |
| M.N. Yusifova |
Piano Concerto on Arab Themes by F. Amirov and E. Nazirova in the Performing Interpretation of Farhad Badalbeyli
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| Zhao Qilong, S.V. Kuznetsova |
Performance Characteristics of the Piano School
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| TEACHER’S WORKSHOP |
| Y.S. Savostyanova |
Forms of Improvisation in the Choreographic Art
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| MUSIC AND CINEMA |
| O.I. Kuskashev |
The Refraction of Cinematic Features in the Opera Work of S.S. Prokofiev
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| ARTISTIC PORTRAIT |
| N.B. Seliverstova |
To the 160th Anniversary of the First Russian Conservatory Professor of the Leningrad Conservatory Daria Mikhailovna Musina-Pushkina (1873–1947)
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| WORKS BY CONTEMPORARY COMPOSERS |
| A.M. Gosteva |
«Kama Bridge» by Peter Kulichkin: Range of Problems. General Characteristics of the Concept and Cultural and Historical Context
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| E.E. Markelova |
G.P. Dmitriev Choral Cycle «Apostle of the Truth» to Verses T.G. Shevchenko: to the Problem of Drama
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| BOOKSHELF |
| S.A. Mammadova |
New Edition – «Secondary Special Music School-Studio-40 Formation and Innovation»
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