| PERFORMING ART |
| K.I. Margunova |
Chamber Vocal art on the Turn of Centuries (XIX–XX): Artistic Principles and Feature Creative Activities of M.A. Olenina-d’Algeym
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| L.D. Belenov, V.V. Tokmakov |
The role of the Lip Flexibilities Exercises in the Formation of the Trumpeters Embouchure
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| HISTORY |
| S.A. Ozerov |
About Professionalizing of Music Education of Bayan Players in Nizhny Novgorod
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| O.V. Onegina |
From the History of Russian Source Study: Anastasia S. Lyapunova
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| A.Y. Velikovskiy |
«It is Impossible to Take to the Work in the First Hearing» (A. Schweitzer): the History of Comprehension and Performance of Bach’s Goldberg Variations in 1700s–1900s
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| I.M. Manolova, L.D. Belenov |
At the Roots of School by V. Borisovsky. (Memories about the Future)
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| MUSICAL CULTUROLOGY |
| G.R. Konson |
The Sonataness as the Development of a Sense of Catastrophism in the Mind of Andrei Kovrin in Anton Pavlovich Chekhov’s «The Black Monk»
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| L.S. Zorilova |
Aesthetic Education of Children Through Literature and Music
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| TEACHER`S WORKSHOP |
| A.S. Krymskaya |
To the Issue of Working on Accompaniment with the Students of Vocal Department
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| MUSIC IN THEATRE |
| D. Koltsov |
Why does the Wolf did not Eat the Chicken?
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| N. Kilpe |
«Golden Chicken», Bringing Happiness
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| I. Arkadyev |
Chicken Tabaka, my Friend!
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| WRITE TO US |
| S.A. Yuditskii |
Love of a Lifetime
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| CONCERTS & FESTIVALS |
| S. Kuznetsova |
A Crossroads of Cultures, a Crossroads of the Arts: the Yaroslavl Variant
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