| МУЗЫКАЛЬНОЕ ОБОЗРЕНИЕ |
| И. Северина |
Музыкальное обозрение
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| CONTESTS |
| Yu.R. Kiselyova |
«I Checked Harmony by Algebra»
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| MUSIC ARCHAEOLOGY |
| E. Frayonova |
History of Musical Instruments of Ancient Civilizations and Medieval East Based on Musical Archaeology (III thousand BC – I thousand AD). Egyptian Musical Instruments. Part III. The Most Important Publications On Egyptian Musica Culture. Part IV. Religion of Ancient Egyptian and Musical Instruments.
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| FOLKLORE |
| H.T. Timizhev, A.V. Gucheva, A.A. Bekulov |
Ethnocultural History of Adyghe Songs
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| Performing Art |
| T.L. Korobkova |
Turiddu: Going Back to Origins
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| Yu.M. Rogacheva |
Formation of the Methology
of Choir Singing in G.Ya. Lomakin’s Practical and Theorical Activity
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| Musical Kalendarius |
| A. Majone |
Ricercare di «Secondo Libro di diversi capricci per sonare»
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| I. Shablovskaya |
Musical Kalendarius
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| Works of modern composers |
| Никита Сайкович |
Звени, звени, бубенчик
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| Никита Сайкович |
Молога
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| Concerts and Festivals |
| Сергей Сапожников |
Национальность – кларнетист
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| Whis a cup of tea |
| Наталья Савватеева |
Алёна Резник:
«Я ни за что не откажусь от этого полета»
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| history |
| A.I. Maslyakova |
A. Scryabin’s Mysticism
in the Context of the Russian Cosmism
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| pedagogic workshop |
| E.P. Makhinko |
Development of a Child’s Creativity
in the Choir: Nonsense, Mean
or Necessity?
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| Creative portrait |
| Виктор Туганов |
Сольное контрабасовое исполнительство на современном этапе
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| Theory |
| O.V. Ozerskaya |
Compositional Peculiarities
of Yury Vorontsov's
Symphonic Works
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