| MUSIC ROUND-UP |
| I. Severina |
MUSIC ROUND-UP
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| КОНКУРСЫ |
| M. Buloshnikova (Tikhonova) |
R. Shchedrin’s Opera «Boyarynia Morozova»: On the Problem of Genre Archetype
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| A. Pashkova (Pyatakova) |
Vyacheslav Ovchinnikov, a Successor of Russian Classical Symphonic Tradition
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| ЗА ЧАШКОЙ ЧАЯ |
| N. Savvateeva |
Irina Bazhenova: «Success is an Energy!»
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| ИСТОРИЯ |
| O. Kravchenko |
J.-B. Lully’s Orchestra in His «Tragédies en Musique»
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| ОЧЕРКИ |
| Т. Khainovskaya |
Petersburg In Dimitry Kabalevsky’s Life and Artistic Mind
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| ТЕОРИЯ |
| Z. Gljadeshkina |
Modulation Doctrine: the First Steps (France, the First Half of the 17th Century)
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| M. Vysotskaya |
Toposes of Silence in a Musical Poetics of Faradzh Karaev (through Analysis of Postludia for Piano)
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| МУЗЫКАЛЬНАЯ АРХЕОЛОГИЯ |
| E. Frayonova |
History of Musical Instruments of Ancient Civilizations and Medieval East Based on Musical Archaeology (III thousand BC – I thousand AD). Mesopotamian Musical Instruments. Part IV. Mesopotamian Lute
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| ЮБИЛЕИ |
| S.V. Sintsova, N.P. Khilko |
Edward Patlayenko’s interpretation of «Каlevala» and «Kanteletar»
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| ПРОИЗВЕДЕНИЯ СОВРЕМЕННЫХ КОМПОЗИТОРОВ |
| Э. Патлаенко |
Из цикла «Забытые песни»
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| ЭЛЕКТРОННАЯ МУЗЫКА (журнал в журнале) |
| I.E. Goryunova |
Evolution of Audiovisual Content of Mass Performances. Multimedia Еffect
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