| HISTORY |
| M.A. Moiseeva |
Jose de Nebra (1702–1768): portrait of a musician
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| A.I. Demchenko, O.V. Nemkova |
«Paganism» as a phenomenon of Russian music of the early XX century: to the origins of people-national nature
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| THEORY |
| V.I. Adishchev |
Russian folk songs Transcribed by N.A. Rimsky-Korsakov (from the history of life in Perm government at the beginning of the 20th century)
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| ARTISTIC PORTRAIT |
| V.A. Esakov, V.V. Kondakov, A.D. Talakin |
Creative portrait of musician A. Shalaev
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| PERFORMING ART |
| A.S. Satybaldinov |
Vasily Vetoshnikov: double bass player from Orenburg
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| FOLKLORISTICS |
| T.D. Bulgakova |
On the verge of folklore and individual creativity: collective principle in the traditional Nanai song improvisation
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| MUSIC IN THEATRE |
| M.A. Konarev |
On the musical, dramatic and genre features of the operetta B.I. Tishchenko «Tarakanishe»
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| NEW MUSIC |
| E.S. Guseva |
“... ex oriente lux ...” (“... light from the east ...”): listening to music of a violin concert A. Raskatova (cogito-sketch)
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| TEACHER’S WORKSHOP |
| S.A. Konovalova, O.O. Aksarina |
«Modern computer programs and sites to help the pop vocal teacher»
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| WORKS BY CONTEMPORARY COMPOSERS |
| G.V. Zadneprovskaya |
Monoopera «Toast» in the context of Nikolai Morozov’s work
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