| TEACHER`S WORKSHOP |
| V.P. Sereda |
What Prevents the Lessons Solfege to Teach Children Music
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| N.I. Brazhnikova |
Some Features of the Sonatas for Winds of Paul Hindemith (Sonatas for Flute with Piano (1936), Bassoon with Piano (1938) and Alto Saxophone and French Horn (1943) with Piano)
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| FOLKLORISTICS |
| I.V. Solovev |
Researching the Semantics of the Imitation Choreographic Forms in the Ritual Traditions of Kola Saami (Based on the Reconstruction the Bear Fest)
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| PERFORMING ART |
| Yu.A. Monastyrshyna |
G. Gould and His Philosophy of Interpretation in the Context of Contemporary Culture
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| V.V. Nevalyanaya |
Some Features of the Performing Style of Billie Holiday
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| HISTORY |
| S.V. Tarasov |
Two Hundred Years Ago. Great Source Chamber and Vocal Works
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| M.V. Riznychenko |
The Masterpiece of the Renaissance Music – T. L. de Victoria’s Offi cium Hebdomadae Sanctae (1585)
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| O.S. Sotnikova, N.S. Seregina |
The 150-year Anniversary of the First Symphony: Multimedia Presentation of Tchaikovsky’s Music
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| CONCERTS & FESTIVALS |
| E. Krivonogova |
Offering Young Musicians: Educational Program Diaghilev Festival and Creed Theodore Currentzis
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