| THEORY |
| L.V. Nikitina |
"Small Requiem for Father Malachi Lynch" by John Tavener: Composition and Style
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| HISTORY |
| T.E. Batagova |
Farizet Gilels-Khutsistova: she was one of the first professional Ossetian musicians
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| FOLKLORISTICS |
| L.R. Zokhrabova |
The historical stages of the development of Azerbaijani folk songs
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| MUSIC IN THEATRE |
| V.A. Tsyrkov |
Music by Chekhov’s "The Seagull"
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| NEW MUSIC |
| G.J. Margolina |
Russian harmony in music of the XX century: to the problem of national specificity
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| ANNIVERSARIES |
| I.V. Sergeeva |
Elena Gokhman: ministry to music and hometown. Dialogues with Aleksandr Ivanovich Demchenko
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| WORKS BY CONTEMPORARY COMPOSERS |
| M. Makarova |
"Hail Mary!"
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| A. Mirzoev |
Motet "Ave, Maria, Gratia Plena" for Voice and Organ, op. 35
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| U.S. Ashurbekova |
Semantic Aspects of Azerbaijani Composer Aydin Azimov’s Creative Works
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| E.N. Denisova |
Roman Ledenev. Movement Deep Into the Meaning
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