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Music and Time

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Sound Attack and Its Structural Consequences in Morton Feldman’s Music
T.V. Tsaregradskaya

The paper covers the role of sound attack in compositions by M. Feldman (1926–1987, USA). Its special significance is explicit through the phenomenon of touché which has to be impersonal and is necessary only for resonance of a string. The chain of resonant attacks produces a sort of Moment-form. Keywords: sound attack, resonance, improvisation, Moment-form.

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Pp. 8-11.

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