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Music and Time

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Esthetic Aspects of Creativity of Timur Mynbayev. To the 75 Anniversary since the Birth of the Musician
T.E. Batagova

The article deals with the work of the Russian composer, conductor, teacher, musicologist Timur Karimovich Mynbaev (1943–2011) in the context of the Soviet and Russian artistic and aesthetic space. The ways of formation of the artist's personality, the interaction of existential-personal and creative biographies are investigated. Three periods of formation of creative individuality of T. Mynbayev are distinguished: mastering the professions and gaining the experience of conductor, composer, musicologist during the years of study and work in Leningrad; the flowering of the composer`s creative work, intensive work as chief conductor of the state orchestra of Kazakhstan; Moscow period associated with work as a guest conductor, artistic director and conductor of the chamber orchestra "Collegium musicum", professor of the Gnessin State Academy of Music. The article presents the overview of the compositional heritage of Timur Mynbaev, the main his works. On the example of the conductor`s audio recordings, the features of his artistic appearance are considered. The evolution of musical and aesthetic views of the musician is analyzed.
Keywords: music, artistic creativity, orchestra, conductor, composer, musical and aesthetic views, Timur Karimovich Mynbaev.

Contacts: E-mail: batagon@mail.ru

Pp. 27-34.

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