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Music and Time

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"Absolute" music and human "fl exible" ("plastic"): about the cultural-historical preconditions of kinetic thesaurus formation in the musical art of the XVII–XVIII centuries
E.V. Pridanova

On the basis of a holistic approach to understanding the "body-spirit", which intensively developed by the modern philosophy of consciousness, the author of the article examines the ability of music to reproduce forms of human movement. The author makes a historical-cultural excursion in the XVII–XVIII centuries epoch, which have marked by hard work over the borders of human identity in the diversity of its manifestations. Special attention is paid to the "rhetoric of the body" at different levels of its manifestations: everyday and ceremonious plastic, the art of choreography. On this basis it is postulated that in musical texts of instrumental genres of this period is reflected repeatedly mediated kinesis (everyday movement, dance structure, dance forms).
Keywords: holistic approach, the musical culture of the XVII–XVIII centuries, the "absolute" music, kinesis, plastic.

Contacts: E-mail: epridanova@yandex.ru

Pp. 39-43.

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