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Music and Time

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Monologicality as a Key Feature of the Organization of the Synthetic Text in Genre of Monoopera (in the Light of the Concept of M. Bakhtin)
E.A. Prikhodovskaya

Monologicality as a key feature of monoopera dramatic organization multidimensional synthetic text stands in the article. The central importance of a single character and his psychological world determines the leading role of monologue character position. A number of facts discussed in the article allows to draw an analogy between the genre monoopera and genre polyphonic novel (Bakhtin detectable in the works of Dostoevsky) is in relation to the disclosure of identity/character of the inner world. Both in the polyphonic novel, and in a mono-opera (and, in general, in extra-artistic reality) there are two main tendency – the inner monologue and microdialogue. Through the interaction of these two directions, combining many private modifications, provides full disclosure of monologic and diverse character of the world, which contributes to identify the identification of the character and destination using the mechanism of empathy. The specificity of the synthetic language means of expression, functioning in monoopera, explained the central role in her emotive. The emotive dynamics of monoopera implementes through the development and communication of musical imagery and intonation spheres impacting directly on the emotional and psychological world destination and initiating thereby intense action mechanism called empathy. Monologicality embodying musical language features, makes the inner world of the character from the object of artistic representation in the perception of the angle. This property of monoopera based on its key semantic constant – «uniqueness» of the character – consolidates the uniqueness of the genre and the multiplicity of perspectives of its further creative implementations within the capacity of the genre.
Keywords: monologicality, character, inner world, empathy, mono-opera, fi gurative and intonational spheres.

Contacts: E-mail: prihkatja@mail.ru

Pp. 43-48.

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