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Music and Time

Annotation
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That «the New Modality» Brought
V.P. Sereda

The fundamental issue discussed in the article is the relationship between the tonal and modal systems at different stages of musical language formation in European countries. In conjunction with this issue, the article discusses the need to adequately reflect this process in theoretical musical analysis as taught in the national music education system. The system of new modality means emerged as a sign of a new stage in the development of musical logic. It was in strong competition with the principles of the tonal system by the end of the 19th century, and became the mainstream of European musical language in the 20th century. Its manifold manifestations include:
Expansion and renewal of the modal basis of harmonic texture;
Transformation of the system of functional relationships, a special role given to melodic functions, and the emergence of a system of vertical functions;
Dissonance neutralization as a basis for polytonicity, polymodality, and polytonality;
Modal nature as a new property of the harmonic vertical;
Preservation of the third chord structure merely as one of many types of the harmonic vertical.
Nevertheless, the traditions established by the theoreticians of the 18th century are still maintained at various levels of music education.
Reflecting the features of new modality in the theoretical framework makes it possible to overcome the gap between the real-life content of musical text and its reflection on the pages of textbooks and manuals.
Keywords: dissonance neutralization, melodic functions, vertical functions, sub-chords, polytonicity, polymodality, polytonality, modal nature of harmony.

Contacts: E-mail: mu3yka2006@yandex.ru

Pp. 38-45.

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