Music and Time Annotation << Back Minicycle as a Compositional Model of the Early Classical Choral Concert (оn Example of M. Berezovsky’s Work) O.A. Shumilina The choral concert «Ne imamy inyia pomoshchi» by composer of the second half of the 18th century Maksim Berezovsky was known for incipit «Catalogue of Choral Music» (1793). For a long time it had been considered lost and has been found in the music manuscript collection of the Central State Archive-Museum of Literature and Arts of Ukraine recently. On the example of the Choral concert «Ne imamy inyia pomoshchi» by M. Berezovsky the approbation particularities of the minicycle compositional idea in the cyclic form model like «Prelude – Fugue» in early classical sacred concerts have been analyzed. It is noted that the appeal to this model, as one of the possible solutions to form the largest concert composition, shows Berezovsky’s searches of the optimal composition concert cycle structure. The article includes publication of the concert «Ne imamy inyia pomoshchi» by M. Berezovsky. Keywords: musical manuscript, sacred concert, Maksim Berezovsky, «Ne imamy inyia pomoshchi», two-part minicycle Contacts: E-mail: shumili@yandex.ru Pp. 15-19.